"The Long-haired Kachina
is one of the most pervasive of all kachinas. It is danced from
the Rio Grande to the Hopi Mesas in almost the same form. Among
the Hopis there are many varieties but the regular Angak'china
is the one portrayed here.
"They appear in a group
and sing a very melodious song which may be one of the reasons
that they are such favorites. They are often used for the Niman
Kachina on First Mesa coming with the Kocha Mana. In fact they
have danced in late August on First Mesa in direct contradiction
to the feeling that only Masau'u can be danced out of season.
Probably this was due to the presence of the Tewa people who
do not have a closed kachina season.
"Their purpose is to
bring rain, and it is said that they seldom dance without the
appearance of a soft gentle rain to help the crops grow. The
Angak'china shown [here] is the variety known as Hokyan Angak'china,
so named because of the peculiar step he uses in dancing. He
is also called the Red-bearded Angak'china. His function is exactly
the same as the regular Angak'china - to bring rain for the crops.
Angak'china is shown [here] as he delivers presents in mid-summer."
- Barton Wright, Kachinas: a Hopi Artists
Documentary (172)
This fantastic piece is the
creation of Ronald Honyouti. Ronald has done an amazing job,
as always, with his oil paints - bringing the subtle and unique
features of the cottonwood to life.
Ronald's choice of hues and
tones contribute to the life-like realism of the piece. As a
master-carver, Ronald never misses a single detail. He pays such
meticulous attention that even the creases in the knuckles are
accounted for, along with fingernails, frays in the sash, and
folds in the leather moccasins.
Ronald Honyouti is a world
renowned artist who has lived most of his life on the Hopi reservation.
He was born on May 20, 1955 at nearby Keams Canyon hospital.
Ron began carving at the age of 12, shortly after becoming initiated
to the Kachina society.
Ronald attended the local
elementary schools until graduating from the eighth grade. Like
all other young adults his age, he had no choice but to leave
the reservation to attend high school. After graduating from
high school, Ron attended vocational training to be a motorcycle
mechanic. After completing his training Ronald returned home
to the village of Bacavi where he continued his carvings and
began experimenting with different types of paints to bring out
the essence of each piece of wood.
His father, Clyde, and older
brother Brian, gave him the aspiration to begin carving. The
one piece concept began when Clyde, who was a sheepherder, would
take a small piece of cottonwood and a simple knife with him
in the morning as he left for the day. During the day while the
sheep ate and rested, Clyde would begin his kachina carvings
and since he did not have access to any other materials he began
to carve the feathers, rattle's, drums, etc. as a part of the
whole piece. This began the practice of the one piece kachina
carvings made by Ronald and his brothers.
Brian, Ronald's oldest brother,
had already been carving one piece kachinas dolls and using oil
paints as opposed to acrylic paints. So naturally this concept
was shared with Ron who then began using oil paints. Oil paints
brought out the texture, grain and beauty of each piece of wood
they were working with. Also the paints made the carvings look
natural and realistic versus acrylic paints that seemed very
bright, bold and unnatural.
Ronald has won numerous awards
for his carvings. Several "Best of division", "Best
of Class", and "First Place" awards, from shows
such as the infamous "Santa Fe Indian Market" held
once a year in Santa Fe New Mexico in August and the Indian Ceremonials
held in Gallup, New Mexico, and the annual Hopi Show at the Museum
of Northern Arizona in Flagstaff.
Ron has also been the recipient
of the Fellowship Award given by the South Western American Indian
Association in 1985. This award seemed to give the extra boost
all artists need on the road to improvement and self fulfillment.
